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Hi all Attached is Alyn Shipton's biography of Harry Nilsson. The book was difficult to scan and there are many errors. I have taken out the worst of these, but I am not making the book generally available as the scan is not good enough.
However, I am offering it to y ou all and i t is well worth a read if you have a liking for harry Nilsson. He does not appear at all in my cd collection, but I liked some of his songs. David NILSSON Nilsson THE LIFE OF A SINGER-SONGWRITER Alyn Shipton (IX PfIR 11 OXFORD UNIVERSITY PRESS Oxford University Press is a department of the University of Oxford.
It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore. South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trademark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY iooi6 Alyn Shipton 1013 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization.
Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. Library of Congress Cataloging-in-Publication Data Shipton, Alyn. Nilsson: the life of a singer-songwriter Alyn Shipton. Pages; cm Includes bibliographical references and index. ISBN 978-0-19-975657-5 (hardback:alk.
Nilsson, Harry. Singers-United States-Biography.
ML420.N69 72-cle23 113) VN '614151 Printed In the I lotted Shoe% of America on idd-liee lIgDet To my friend Lee Newman for introducing me to the world of Harry Nilsson. Contents Preface ix Acknowledgments xiii 1.1941 1 1.Good Old Desk 2.5 Mr.
Richland's Favorite Songs' Open Your Window 84 Gotta Get Up us. It Had To Be You 144 Don't Forget Me 161 S. Turn Out The Light 184 9.
Perfect Day 112. It's So Easy 2.31 11.Lay Down Your Arms z53 Epilogue 2.87 Albums 1.93 Notes 301 Bibliography 3Z7 Index 3; ONCE DESCRIBED BY his producer Richard Perry as 'the finest white male singer on the planet,' nobody in popular music is as much of a paradox as Harry Nilsson.
He was a major figure in popular culture at a time when stadium rock was in its infancy and huge concerts and festivals were becoming the norm, yet he studiously avoided live performance. This was even more remarkable because he was descended from a show business family-indeed his grandparents' circus act was commemorated in his album Aerial Ballet. Nilsson's instrument was the studio, his stage the dubbing booth, and his greatest technical triumphs were masterful examples of studio craft, such as 'You Can't Do That: which was a daringly creative montage of Beatles songs. Many songwriters look to some aspects of their own lives as inspiration for their work, but this was particularly true of Nilsson. He launched his career as a fresh-faced 'longish. Haired blond youth,' whom some critics found had 'specialness in his singing.'
3 But over time the majority agreed with Rolling Stone magazine's verdict that even though 'the ways in which he phrases and assembles the songs are clever beyond belief. Song- writing is his strongest suit.' 4 In his lyrics, he drew on a well of personal experience, tragedy, and sadness that was at odds with his appearance and cheerful demeanor, and this underpinned a huge number of his songs. He delivered the results in a variety of ways, not least because his range, which spanned three and a half octaves, from light baritone to falsetto, apparently without a break between registers, gave him the attributes of a vocal chameleon.
If there were both lead vocals and backups on his albums, the chances were that all the voices bC1011gCd to Nilsson. Yet at the heart of all his records was the ability to communicate directly to the listener, cleverly focusing on the emotions of the lyrics. His first major album, Pandemonium Shadow Show, came out in 1967 during a period when pop music on both sides of the Atlantic was developing at an unprecedented rate. For the previous four years, the Beatles had made the running with songs that developed from relatively standard anonymous rock and roll to intense personal.